Secondary Resources: Frankenstein

"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

Bela Lugosi's Frankenstein screen test puts Valentino in the picture for murder Everyone knows the Frankenstein monster was played by Boris Karloff. His portrayal is so famous that the play Arsenic and Old Lace was filled with Karloff/monster jokes--even when the part of the monstrously deformed villain was played by another actor. But before Karloff's memorable portrayal, another famous 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The screen test footage was lost for decades, until Valentino, that never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage. But it comes with a price far greater than the money he'll have to pay. Someone would kill to get that reel of film, and that makes Valentino a mortal obstacle who would rather not die for art. People have already been murdered for the film, and Val doesn't want to push his luck...but boy,that reel is too good to let go.... Enter a crew of steampunk fans. Loving the arcane strangeness that is Valentino's life--not to mention the completely glam prospect of seeing the original filmic Count Dracula as the Frankenstein monster--they will find a way to save Valentino and Lugosi's infamous screen test. Or if they can't do that, have a great party anyway. Val just hopes it's not a wake.... InAlive!, Loren D. Estleman delivers a mystery that only he can.